program
"Where the beauty of a work of art begins"
Concert produced and directed by Mark Ludwig. Jonathan Biss, piano Coro Allegro directed by David Hodgkins Members of the Arneis Quartet Heather Braun, violin Daniel Doña, viola Agnes Kim, cello Cantor Elias Rosemberg: “El Malei Rachamim” Jeremiah Klarman: “Sketch for Terezín/Does Grace” (2021) TMF commission world premiere. A setting of TMF LiberArte poems by Rita Dove and Almog Behar, dedicated to 2021 Terezín Legacy Award recipient Dr. Rochelle Walensky in honor of her healing work as director of the CDC. Alban Berg: Sonata for Piano, op. 1 (1910) Arnold Schönberg: Six Little Piano Pieces, op. 19 (1911) I. Leicht, zart (Light, delicate) II. Langsam (Slow) III. Sehr langsam (Very slow) IV. Rasch, aber leicht (Brisk, but light) V. Etwas rasch (Somewhat brisk) VI. Sehr langsam (Very slow) Franz Schubert: Piano Sonata in B-flat Major, D. 960 (1828) I. Molto moderato II. Andante sostenuto III. Scherzo: Allegro vivace con delicatezza IV. Allegro ma non troppo — Presto Learn more about Terezín Music Foundation and support our concerts, commissions and Holocaust and genocide education programs work here.
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“Schönberg and Berg wrote these works nearly a century after Schubert wrote his B-flat sonata. They inhabited different worlds and had very distinct lives and problems. And yet they all manage to convey the beauty and pain of being human. It is impossible to listen to them without having a bit of one’s empathy awakened. Therefore, they feel very appropriate to perform for the Terezin Music Foundation, which in addition to memory, is all about empathy — about not forgetting to look, and listen, to our fellow human beings.”
— Jonathan Biss “Alban Berg means the highest degree of responsibility toward the values of older music and the achievements of newer music, means strict self-discipline, the preservation for the soulful warmth and passion that has flowed into music since — and because of — the Romantic era, but it also means balancing that out with polyphonic-constructive work, a symmetry between musical feeling and thought.” —Viktor Ullmann, in Our Will to Live |